Critical analysis Essay Example | Topics and Well Written Essays - 750 words

Critical analysis - Essay ExampleNevertheless, the accepted issue at eliminate is the motive behind taking the image. Clearly, there is a voyeuristic element with the way the images are world represented through the lens. It slew be observed how the acts are conforming to the intended obscenity, the poor lighting, and the predating conditions forrader Yoshiyukis encounter with the couples. No one could honestly testify the real intent behind the scopophilia merely judging from a critics point of view, there seems to be no cooperation between Yoshiyuki and the conclave of people. In the context of photography, while Yoshiyuki did not anticipate the happenstance, the drive that sticks him with the ongoing public demonstration could be related to personal photography, wherein he intended to seize the image for personal use (Wells 56) here is a person making choices, not a stationary camera recording what passes before it (Gefter, Sex in the Park, and Its Sneaky Spectators). The p hoto also suggests of his nature as a photographer a voyeur. Although, he vehemently disagreed that he is one. He asserts that My intention was to capture what happened in the parks, so I was not a real voyeur like them (Gefter, Sex in the Park, and Its Sneaky Spectators). ... As a matter of fact, the curator of photography at the Museum of Modern Art, agrees that Yoshiyukis work falls into a photographic tradition (Gefter, Sex in the Park, and Its Sneaky Spectators). In the past and maybe until today, aesthetic and subject matter of the photograph was considered as further of secondary importance (49) what is more important is the image itself. Looking at the photo, it is rather conspicuous that no artistic impression was intended considering the ephemerality of such activity, the motive behind the photo is the image whole an idea that conforms to personal photography in which the practitioner was more concerned of capturing the image rather than arrest its significance. Indee d, obscenity does not entail good standing hence, this has been discounted in the process, perhaps, due to the voyeuristic purpose of the photograph. As mentioned earlier, it can be argued that obscenity does not entail good standing. If this is so, what was the real motive of the practitioner? Voyeurism and scopophilia can be very subjective oftentimes and so Yoshiyuki, as he proclaimed himself a voyeur, points towards what he can take out of the perfect encounter although, the paradigm expresses manifold significance in the society. The picture somehow signifies the employment of nudity as an indicator of certain types of prejudice in that body is ingrained to colonial modes of power, including the processes of representation (84). The picture relatively depicts a social stratification in the Japanese civilization, in which women are significantly controlled by the men. Photography, in history, took part in the employment of modernist thinking that criticizes high and depressiv e disorder cultures, which are