Walt Whitmans Drum-Taps :: Walt Whitman Drum-Taps Essays

Walt Whitmans Drum-Taps - The Personal Record of Whitmans state of wartime ExperiencesWalt Whitman is one of Americas closely popular and most influential poets. The first edition of Whitmans long-familiar Leaves of Grass first appeared in July of the poets thirty-sixth year. A consequent edition of Leaves of Grass (of which there were many) incorporated a collection of Whitmans poems that had been offered readers in 1865. The sequence added for the 1867 edition was Drum-Taps, which poetically recounts the authors experiences of the American Civil War.Walt Whitman was born May 31, 1819, in West Hills, Long Island. His aboriginal years included much make with words and writing he worked as an office boy as a pre-teen, then posterior as a printer, journalist, and, briefly, a teacher, returning eventually to his first discern and lifes workwriting. Despite the lack of extensive full-dress education, Whitman experienced literature, reading voraciously from the literary classics a nd the Bible, and was deeply influenced by Goethe, Carlyle, Emerson, and Sir Walter Scott (Introduction vii).Whitman was emaciated to the nations capital roughly a year after the Civil War began, at the age of forty-three. The wounding of his brother, George Washington Whitman, who served in the Union Army, precipitated his contact with the carnage of the war. Reading the notice of his brothers injury in the New York Herald, Whitman went immediately to Falmouth, Virginia, where he found his brotherly only reasonably wounded. Perpetually short-handed, Army officials asked the poet to help transport injured soldiers to field hospitals in Washington. Whitman agreed, and began a mission of mercy that would occupy him from 1862 until the wars dismiss in 1865 (Murray).Drum-Taps is the personal-historical record of Whitmans wartime occupation. Drum-Taps early poems were written prior to Whitmans contact with wounded soldiers, and betray a starkly different situation toward the war than one finds later in the sequence. The chronologically earlier poems commemorate the coming hostilities, expressing Whitmans early near-mindless jingoism (Norton 2130). As one progresses through the work, he finds a less energetic, sorrowful, jaded narrator who seems little analogous the exuberant youth who began. Understandable so, Whitman estimated that over the course of the war, he had make over 600 visits or tours, and went among from some 80,000 to 100,000 of the wounded and sick, as sustainer of liveliness and body in some degree, in time of need (Murray).What follows is a contemporaneous review of his work that speaks of the esteem that much of the world all-inclusive Whitman as patriot and poet of Drum-Taps