No Country

Kory Martinez Professor Jhon Singleton Literature to Film October 26, 2009 The screenplay for “No Country For disused men” contains polyphonic narratives. Properly utilizing a new emplacement with apiece generation send packing challenge the standard explanation of a text. The Lacanian “Mirror Principle” insists that we form images of ourselves based on how we prize others perceive us (Clark 2004). The Lacanian theory is important to get by with the ingest to realise the characters and their actions. Using Lacan’s theory we can understand the misrecognition process of “the imaginary”. Through step to the root word the movie the human determine is demonstrated in Anton Chigurh’s perception of how others perceive him in “the imaginary”. Anton experiences the Lacan theory when questioned by the possessor at the feature station. He sees the situation much as an interrogation and answers close if not all of the proprietor’s questions with a question. Anton uses a type of defense as to what the intentions of the proprietor are. This results in the proprietor to become confused and uneasy: Anton: What business of yours where I’m from, friendo? Proprietor: I didn’t mean nothin by it. I was just passing the time.

… willing there be something else? Anton: I don’t know. willing there? Proprietor: Is something misemploy? Anton: Is that what you’re asking me? Is there something vilify with anything? (Cohen 21-22) Due to hi s suspicion, Anton continues to demand the ! proprietor feel uneasy. Anton enjoys messing with the minds of others. He is a sociopath and gets a high off of the uneasiness of others when he plays mind games. In reality, the proprietor is extremely inquisitive. He initiates this conversation when he notices the license plate on Anton’s truck, and his intentions are to find out more about Anton. After a failed attempt to condone the...If you want to get a all-encompassing essay, order it on our website: OrderCustomPaper.com

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